” ‘He rang them up to say he couldn’t. He was so upset, poor little man. He’d found a dead body in his bath.’
‘Sorry, Mother, I can’t hear; found what, where?’
‘A dead body, dear, in his bath.’
‘What?—no, no, we haven’t finished. Please don’t cut us off. Hullo! Hullo! Is that you, Mother? Hullo!—Mother!—Oh, yes—sorry, the girl was trying to cut us off. What sort of body?’ ”
I appreciate this chunk of dialogue here for introducing the plot on the first page of the text. The story open with Lord Peter Wimsey conversing with a cab driver, an already exciting start that puts the reader within the action, and then immediately the reader is thrust forward into the plot. A dead body is found and in one motion, context is given to the title, and the word body is repeated three times in these four lines to make it impossible to forget. This writing is exciting; it draws the reader in faster than any other text we’ve read. Other texts, such as Melanctha and Heart of Darkness felt like they were being told from a distance. Those texts can be as exciting as this, however, the worlds read about feel at a distance compared to Whose Body? which draws in the reader immediately. The reader is not expected to simply read and comprehend, but go beyond that and experience the story, which is also made possible by the extensive amount of dialogue.