In Gertrude Stein’s Melanctha, published in 1909, A Portrait of the Artist as a Young Man written by James Joyce, published in 1916, Mrs. Dalloway by Virginia Woolf, published in 1925, and William Faulkner’s As I Lay Dying published in 1930, all contain some type of use of perspective change. While every text does provide the reader with certain characters’ perspectives, the authors each have their own way of depicting it. Stein, Joyce, and Woolf’s texts seem to consistently change perspectives and voice without warning. They are the most similar when quickly changing perspectives, though still unique to their own texts. One sentence could be the narrator’s perspective and the next is Jeff, Stephen, or Clarissa, respectively. An example from Stein’s use of perspective is the sudden shift from Jeff’s thoughts to the narrator’s perspective: “Slowly he felt that surely they must both have this feeling. It was so important that he knew that she must have it. They both sat there, very quiet, a long time” (69). Five years after Woolf’s novel, Faulker made the perspective changes in his novel clear by giving sections for each character to use their voice and tell the story from their point of view. By doing this, the reader follows the same story, but understanding it through many different characters’ views. Inserting different perspectives throughout these texts establishes new ways of thinking, writing, and reading.