Conrad’s Heart of Darkness (1899), Stein’s Melanctha (1909), Anand’s Untouchable (1935), and Hurston’s Their Eyes Were Watching God (1937) all explore the relationship of class and race. Through the 38 year span in which these novels were published, the gradual expression of race relations changes drastically. Conrad explores the racial tensions tied to imperialism through Marlow’s close observation of Mr. Kurtz. Stein stays close to home in her interperspective novel Melanctha, yet ties gender and class together while still depicting an ethnic alternative lifestyle. Anand, while his novel was published much later, gives the audience a sense of what life is in India’s harsh caste system. Untouchable explores class closely, but to an English audience, which introduced them to a world other than post-WWI American society. Finally, Hurston thoroughly captures the relations of gender and race together in Janie Stark. The novel focuses on her tribulations, instead of a broad sociological effects, allowing the harsh scenes of domestic abuse to expose hidden inequalities other than race. Over time, fiction writers presented more topics that were not necessarily common knowledge, bringing them to the public eye. While tackling cultural obstacles is nothing new in writing, the modernists relied on firsthand experience, allowing for more raw, realistic stories that related to the audience.