“Then he picked up a long poker and prodded the fire. Quickly it flared up, suddenly illuminating the furnace with its leaping red, gold, and black flames, an angry consuming power, something apart, something detached from the heaps of straw it fed on.”
Anand, Mulk Raj. Untouchable. New York: Penguin Group, 2014. Print. p.20
In this passage the fire seems to be representative of an imperialist nation. The description of “an angry consuming power” would be the view of a colonized people towards the imperialist nation controlling them, such as Bakha’s people towards the Tommies. The duality of the phrase “something detached from the heaps of straw it fed on” is interesting as it could be interpreted as either the fire using the straw as kindling, or the imperialist nation feeding off of the colony it has taken control of.
“I kept to the track though–then stopped to listen. The night was very clear: a dark blue space, sparkling with dew and starlight, in which black things stood very still. I thought I could see a kind of motion ahead of me. I was strangely cocksure of everything that night. I actually left the track and ran in a wide semicircle (I verily believe chuckling to myself) so as to get in front of that stir, of that motion I had seen–if indeed I had seen anything. I was circumventing Kurtz as though it had been a boyish game.”
Conrad, Joseph. Heart of Darkness and Other Tales. “Heart of Darkness”, 172. Oxford: Oxford NY, 2002.
This passage continues Conrad’s thematic comparison between childishness and imperialism. Marlow’s chase through darkness in search of Kurtz mirrors the chase for ivory that he is supposed to be on, but he is preoccupied with other issues. Clearly Kurtz takes the place of the ivory in Marlow’s eyes. Marlow makes a contradictory statement by saying that he was “cocksure of everything,” but later reveals that he had at the time been unsure if he has even seen Kurtz. This image mocks the assurance of those empires who make guesses of where they can find wealth then send men to go excavate it (while “chuckling” to themselves). The parallels between his silly game and imperial conquest create a frame of both satire and criticism in Heart of Darkness.