“I’ve seen the devil of violence, and the devil of greed, and the devil of hot desire; but, by all the stars! these were strong, lusty, red-eyed devils, that swayed and drove men – men, I tell you. But as I stood on the hillside, I foresaw that in the blinding sunshine of that land I would become acquainted with a flabby, pretending, weak-eyed devil of a rapacious and pitiless folly.”
Conrad, Joseph. Heart of Darkness and Other Tales. “Heart of Darkness” (Oxford: Oxford NY, 2002), 117.
All of the descriptions in this passage remind me of language that just goes and goes with seemingly no destination, at least not one that’s obvious from the start – in other words, it is similar to language we’ve already been looking at in class. You don’t quite understand what the point is, where exactly it’s going, or what the purpose of it will be, until you read on and discover that it applies to Kurtz. It is a perfect example of delayed specification.