A noticeable theme running through many of the works we read is class. It plays a role in Untouchables, Melanctha, Their Eyes Were Watching God, and even, in a way, Heart of Darkness. In all these novels there is a class of oppressed and a class of opressors.
I think what is interesting is that though Heart of Darkness was the first one published umongst these works, its class issues are very imperialist. The other novels deal with class within one country but Heart of Darkness deals with class between two cultures in which class is defined differently. Untouchables deals with class between two cultures too but msot of the conflict is between indians in the novel.
Heart of Darkness- February 1899
Their Eyes Were Watching God- September 18, 1937
It was inevitable that she should accept any inconsistency and cruelty from her deity as all good worshippers do from theirs. All gods who receive homage are cruel. All gods dispense suffering without reason. Otherwise they would not be worshipped. Through indiscriminate suffering men know fear and fear is the most divine emotion. It is the stones for altars and the beginning of wisdom. Half gods are worshipped in wine and flowers. Real gods require blood.
Their Eyes Were Watching God, Zora Neale Hurston
“You lover of your mother,” his father had once abusively said to him, “take a quilt, spread a bedding on a string bed, and throw away that blanket of the goro white men; you will die of cold in that thin cloth.” But Bakha was a child of modern India.
-Untouchable by Mulk Raj Anand
I dont know what I am. I dont know if I am or not. Jewel knows he is, because he does not know that he does not know whether he is or not. He cannot empty himself for sleep because he is not what he is and he is what he is not. Beyond the unlamped wall I can hear the rain shaping the wagon that is ours, the load that is no longer theirs that felled and sawed it nor yet theirs that bought it and which is not ours either, lie on our wagon though it does, since only the wind and the rain shape it only to Jewel and me, that are not asleep.
As I Lay Dying by William Faulkner
But this question of love (she thought, putting her coat away), this falling in love with women. Take Sally Seton; her relation in the old days with Sally Seton. Had not that, after all, been love?
Mrs. Dalloway- Virginia Woolf
As he smoked, his legs stretched out in front of him, he noticed a grasshopper walk along the ground and up onto his woolen sock. The grasshopper was black. As he had walked along the road, climbing, he had started many grasshoppers from the dust. They were all black. They were not the big grasshoppers with yellow and black or red and black wings whirring out from their black wing sheathing as they fly up. These were just ordinary hoppers, but all a sooty black in color. Nick had wondered about them as he walked, without really thinking about them. Now, as he watched the black hopper that was nibbling at the wool of his sock with its fourway lip, he realized that they had all turned black from living in the burned-over land. He realized that the fire must have come the year before, but the grasshoppers were all black now. He wondered how long they would stay that way.
Hemingway, Ernest. “Brave Two-Hearted River Part I” In Our Time.
Mr. Alfred Thipps was a small, nervous man, whose flaxen hair was beginning to abandon the unequal struggle with destiny. One might say that his only really marked feature was a large bruise over the left eyebrow, which gave him a faintly dissipated air incongruous with the rest of his appearance. Almost in the same breath with his first greeting, he made a self-conscious apology for it, murmuring something about having run against the dining-room door in the dark. He was touched almost to tears by Lord Peter’s thoughtfulness and condescension in calling.
“I’m sure it’s most kind of your lordship,” he repeated for the dozenth time, rapidly blinking his weak little eyelids.
–Whose Body by Dorothy Sayers
You certainly never can learn no way Melanctha ever with all I certainly been telling to you, ever since I know you good, that it ain’t never no way like you do always is the right way you be acting ever and talking, the way I certainly always have seen you do so Melanctha always. I certainly am right Melanctha about them ways you have to do it, and I knows it; but you certainly never can noways learn to act right Melanctha, I certainly do know that, I certainly do my best Melanctha to help you with it only you certainly never do act right Melanctha, not to nobody ever, I can see it. You never act right by me Melanctha no more than by everybody. I never say nothing to you Melanctha when you do so, for I certainly never do like it when I just got to say it to you, but you just certainly done with that Jem Richards you always say wanted real bad to be married to you, just like I always said to Sam you certainly was going to do it.
–Three Lives by Gertrude Stein
“True, by this time it was not a blank space any more. It had got filled since my boyhood with rivers and lakes and names. It had ceased to be a blank space of delightful mystery—a white patch for a boy to dream gloriously over. It had become a place of darkness. But there was in it one river especially, a mighty big river, that you could see on the map, resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land. And as I looked at the map of it in a shop-window, it fascinated me as a snake would a bird—a silly little bird. Then I remembered there was a big concern, a Company for trade on that river. Dash it all! I thought to myself, they can’t trade without using some kind of craft on that lot of fresh water—steamboats! Why shouldn’t I try to get charge of one? I went on along Fleet Street, but could not shake off the idea. The snake had charmed me.
-Joseph Conrad, Heart of Darkness